Baker, Kenneth. Time Out New York, 2128 December 2002: 93. Carmean, E. A., Trinkett Clark and Eliza E. Rathbone. 6 (June 1991): 4449, 51. Art in Place, Whitney Museum of American Art, New York, July 7October 29, 1989. Brubach, Holly, and Veerle Windels. Chuck Close (exhibition catalogue). Publishers Message. The Brooklyn Rail (September 2021). Tema Celeste 110 (JulyAugust 2005): 69. Cambridge, Massachusetts: MIT Press, 2003. An artist down to his fingertips: William Packer on the career of the American painter, Chuck Close. Financial Times, 7 April 1998. Schack to Host Work of Famous Monroe-born Artist Chuck Close (exhibition preview). Larson, Kay. Super Collection 99 Untold Stories (exhibition catalogue). Chuck Close (Walker Art Center exhibition review). American Paintings of the Seventies, Krannert Art Museum, Champaign, Illinois, November 11, 1979January 1, 1980. 2 (February 1980): 8183. Group exhibition, The Pace Gallery, 32 East 57th Street, New York, May 8September 20, 1981. Photo-Realisme. Evenson, Brad. (Catalogue), 50 Years at Pace, The Pace Gallery, 545 West 22nd Street, New York, September 17October 23, 2010, and 510 West 25th Street, New York, September 17October 16, 2010. 208 (January 1995): 76. Chuck Close, Bigger Than Ever. Washington Post, 5 October 2000: C5. Armstrong, Thomas N., III. Chuck Close: Face Forward, From the Collections of Jordan D. Schnitzer and his Family Foundation, Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, California, January 17April 5, 2015. An Adventure In The Arts: The Permanent Collection of the Guild Hall Museum (organized by Guild Hall Museum, Southampton, New York). Tokyo: Tokyo Station Gallery, 2015: 1289, illustrated. Box, Michiel. Tracing the Grid: The Grid in Art after 1945, Kunstmuseum Stuttgart, May 5October 7, 2012. Morch, Al. Munich: Prestel Verlag, 2007. A Clean, Well-Lighted Space. Cultural Post, no. Inspiration is for Beginners. Interview by Claudia Bodin. Chronicle. The New York Times, 26 October 1992: B9. Sondheim, Alan. 825 (March 1996): 211. Web version: https://www.nytimes.com/2021/08/20/arts/design/chuck-close-legacy-appraisal-dementia-behavior.html, Bernstein, Fred A. Hawkes, Nigel. Chuck Close: Large-Scale Photographs, PaceWildensteinMacGill, New York, October 24November 23, 1996. (Catalogue), American Art Today: The Portrait, The Art Museum at Florida International University, Miami, May 8June 3, 1987. When the wind echoes through the manor house, peop You are Constables to the local sheriff, tasked with searching the home of the accused. New York: PaceWildenstein, 2009. Chase, Linda. Princeton, New Jersey: Princeton University Press, 2003: illustrated. (Catalogue), Grands maitres hyperrealistes americains, Galerie des Quatre Mouvements, Paris, May 23June 15, 1973. Minneapolis: Minneapolis Institute of Art, 2007: 319, illustrated. The Morton G. Neumann Family Collection (exhibition catalogue). 1 (11 January 1990): 13. Kane, Nancy. Montreal: Galerie de Bellefeuille, 2011. Anderson, Alexandra, Carrie Rickey and Guy Trebay. (Catalogue), Images of the Self, Hampshire College Art Gallery, Massachusetts, February 2March 14, 1979. 40th Anniversary Show, Pace Prints, New York, June 130, 2009. Nowhere Else But Here (exhibition catalogue). (Catalogue). Parrish Council Exclusive: Artists of the East End. Parrish Art Museum News (Autumn 2002). Hint: Search for a back entrance to a local business named for Muffy's beloved wife.Speakeasy menu - Detroit Lakes MN 56501 - (218) 844-1326 Speakeasy (218) 844-1326 Own this business? Washington, D.C.: Hirshhorn Museum and Sculpture Garden in association with New York: Harry N. Abrams, Inc., 1996: illustrated. Ratcliff, Carter. Chicago: The Art Institute of Chicago in collaboration with San Francisco: The Friends of Photography, 1989: illustrated. Up Close: Contemporary Art from the Mallin Collection, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, April 2June 3, 1993. Abadie, Daniel. In fact, even F. Scott Fitzgerald called the Commodore a favorite haunt! Museum moderner kunst Wien. Calamita per talenti di tutto il mondo. Il Giornale dellArte (April 1987). Imagination-On Perception In Art, Landesmuseum Joanneum, Kunsthaus Graz, Austria, October 25, 2003January 18, 2004. Bohlen, Celestine. Charles Darwent on Art: Chuck Close Prints Process and Collaboration (White Cube exhibition review). Sussler, Betsy. Amherst, Massachusetts: Herter Gallery, Herter Hall, University of Massachusetts at Amherst, 1989: illustrated. The Strength of a Lion. Art News 92, no. Haenlein, Carl. Naef, Weston. Texts by Debra Bricker Balken, Morris Dickstein, Douglas Dreishpoon, Charlotte Eyerman, Mark Godfrey, Caroline A. Jones, Norman L. Kleeblatt and Irving Sandler. Chuck Close. Q: A Journal of Art (Cornell University) (May 1992): 46. London: Phaidon Press Limited, 1996: 94. In the Museums. Arts 44, no. Close, Chuck. Art Review: A Gift to the Whitney, for The New Yorkers to Open. The New York Times, 25 October 2002: E38. The Village Voice, 9 January 1996: 67, illustrated. Works from the Agnes Gund Collection (exhibition catalogue). Greenvale, New York: C.W. Bern: Benteli Verlag, 1977: illustrated. Smith, Roberta. Viewpoint: Artist as Photographer. Summit Herald, 15 December 1984: 5. Haydon, Harold. 10 (December 1994): cover, 124129. 96 (2003): 8687, illustrated. How it works. Prints and Process, Old Dominion University, Norfolk, Virginia, October 1994. Up Close and personal. Financial Times, 89 February 2003, Weekend edition: VII, illustrated. Smallwood, Lynn. Garoian, Charles R. The Prosthetic Pedagogy of Art: Embodied Research and Practice. Artist of the South Fork, Baruch College Gallery, City University of New York, SeptemberNovember 3, 1989. Self-Portrait (exhibition catalogue). Made in the 60's: Painting and Sculpture From the Permanent Collection of the Whitney, Whitney Museum of American Art, Downtown Branch at Federal Reserve Plaza, New York, 1988. Preston, Malcolm. Leaving His Fingerprints. Christian Science Monitor, 12 August 1983: 20. Dont Stand So Close to Me. Ontario National Post, 6 August 1999: B11. Blair, Dike. Chuck Close: Daguerreotypien (exhibition catalogue). 9 (September 1990): 5052. North Carolina: Nasher Museum of Art, Duke University Press, 2008. Glueck, Grace. On Art: Whitney Has Variety. Times Herald Record, 23 May 1981: 34. Singer, Reid. The Columnists: Chuck Close. The Wall Street Journal Magazine, no. Korotkin, Joyce. Inspiration is for Amateurs. Harwood Museum hosts first New Mexico exhibition of works by Chuck Close. Tempo: The Arts and Entertainment Magazine of The Taos News, 4 May 2000: 14, 16. The 50 Most Powerful People in the Art World. Art News 96, no.1 (January 1997): 9097. Visual Arts: The Great Illusionist. Financial Times, 26 September 2006: 14, illustrated. Chuck Close on Women. Harpers Bazaar, accessed 18 October 2012. http://www.harpersbazaar.com/magazine/feature-articles/artist-chuck-close-on-women-1112?src=rss#slide-1. (Catalogue), Chuck Close: Recent Works, The Pace Gallery, 142 Greene Street, New York, October 22November 27, 1993. Figuring It Out. Artforum 19, no. Living in Art. Walker, Barry. 7 (September 1981): 120126. A Blue-Chip Gallery Sees Blue Skies in L.A. Los Angeles Times, 13 August 1995: 53 and 56. Arts as Antidote for Academic Ills. The New York Times, 19 December 2012: C1, C5, intstallation view. Chuck Close: Polaroids, Galerie Xippas, Paris, April 10May 22, 2010. Close, Chuck. Redefining Portraiture. Sag Harbor Express, 13 July 1995: 10. Chuck Close: New Works, Adamson Gallery, Washington, D.C., November 10December 29, 2012. The 'M' Word. Art + Auction 14, no. Brutler, Hiram Carruthers, et al. Persona (exhibition catalogue). Gilmour, Pat. When shes not writing or out exploring the West Coast, Meg enjoys working on visual media projects, speaking as a mental health advocate, and can always be found in the front row at Portland Timbers matches. Texts by Lucina Ward, James Lawrence and Anthony E Grudin. The Sydney Morning Herald, 12 December 2014. http://www.smh.com.au/entertainment/art-and-design/chuck-close-prints-process-and-collaboration-is-immensely-complex-20141212-11y4up.html, Grishin, Sasha. Modern Portraits: The Self and Others, Columbia University for Wildenstein, New York, October 20November 28, 1976. Front Page: Art Camp at the Presidio? Art in America, no. Paris: ditions du Chne_Hachette Livre, 2007: 124129, illustrated. (Catalogue), Drawings About Drawings Today, The Ackland Art Museum, University of North Carolina, Chapel Hill, January 1March 11, 1979. Paper: Material, Medium and Magic. Walker Art Center: Paintings and Sculpture from the Collection. Nice: Muse D'Art Moderne et D'Art Contemporain, 1992. Gifts for the San Francisco Museum of Modern Art: The Campaign for Art. Ormiston, Rosalind. The Eight-Day Week. New York Observer, 8 January 1996. Giridharadas, Anand. North Sidney, Australia: Australian Gallery Directors Council, 1977: illustrated. Traveled to: Herter Gallery, Herter Hall, University of Massachusetts, Amherst, September 22November 3, 1989; Boston University Art Gallery, February 28March 31, 1991. The Polaroid Years: Instant Photography and Experimentation, Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York, April 12June 30, 2013. Arthur, John. Fine, Ruth E. and Mary Lee Corlett. An Artists Work Blurs Lines Between Art and Science. The New York Times, 10 August 1999: F5. (Catalogue), Persona, Museum of Photographic Arts, San Diego, February 12April 12, 1992. Decter, Joshua. Paper Turns into Art in Itself at Cleveland Institute. YoungstownVindicator (Ohio), 23 December 1982. (Catalogue), Print Publishing in America (organized by the United States Information Agency), United States Embassies, October 1979October 1980. Texts by Helle Crenzien, Eleanor Nairne, Finn Skarderud, Liz Rideal and Marco Pierini. Critics' Choice (exhibition catalogue). Kennedy, Kerrie. New York: CBS College Publishers, 1981: illustrated. Baden-Baden: Staatliche Kunsthalle and Stuttgart: Edition Cantz, 1994. Ackley, Clifford S. and David P. Becker and Barbara Stern Shapiro. Treasures of the Library of Congress. 12 (1989): 1625. Sol LeWitt and Chuck Close, Pace Prints, 32 East 57th Street, New York, March 5April 3, 2004. New York: The Museum of Modern Art, 1976. 8 (October 1977): 130. Corzo, Miguel Angel, ed. Die Kasseler She-Schule: Ein Warenhaus fur Wirklichkeit mit Selbstbedienung. Der Stern, no. Drawing Then: Innovation and Influence in American Drawings of the Sixties, Dominique Lvy, New York, January 27March 19, 2016. New York: Rizzoli International Publications, 1979. Selections of Realistic Painting from the Ludwig Collection, Groninger Museum voor Stad en Lande, Groningen, The Netherlands, 1974. Six Takes on Photo-Realism, Whitney Museum of American Art at Champion, Stamford, Connecticut, November 15, 1991January 25, 1992. ed. Its Big and Its Superreal. Chicago Daily News, 1213 February 1972: 6. Chuck Close: Maquettes, Pace/MacGill Gallery, New York, January 9February 15, 1986. Chuck Close: Philip Glass, 40 Years (exhibition brochure). 4 (May 1972): 29. Rainer, Wolfgang. Marmor, Jon. Tuchman, Phyllis. Close Encounters: An Artist Shows that Size Affects Shape. Science Magazine 284, no. Art News 112, no. (Catalogue). Dictionary of Contemporary American Artists. Bourdon, David. Art in America 80, no. Crimmins, Peter. Gelburd, Gail. (Catalogue). San Francisco: Chronicle Books, 1986. The tension between the world's nuclear powers is at an all time high. Fischl, Eric. The New York Times Magazine Photographs (organized by Aperture Foundation, New York). Ament, Deloris Tarzan. Transport von kunstschatzen aus Amerika kostet ein Vermogen. Badische Neueste Nachrichten (Germany), 7 May 1994. Keiser, Ellen. Berkeley and Los Angeles: The University of California Press, Fine Arts Museum of San Francisco, 1997. Phillips, Lisa. San Francisco Chronicle, 19 November 2005: E1 ;E3, illustrated. New Materials Guide. Halperin, Julia. Anderson, Susan Heller. Upper Merion, Connecticut: SmithKline & French Laboratories, Inc., 1988. New York: Whitney Museum of American Art, 1981: illustrated. (Catalogue), Painting and Sculpture Today1986, Indianapolis Museum of Art, Indianapolis, Indiana, June 24August 24, 1986. Esquire (January 2002): 9495. Berkman, Florence. New York: International Center of Photography, Midtown, 1987. Strasbourg: Muse dart moderne et contemporain, 2003: illustrated. Stein, Deidre. Late Twentieth-Century Art: From the Sydney and Frances Lewis Foundation. New York: Random House, 1981. (Catalogue). Long Island Where New YorksReigning Artists Live. ART: Das Kunstmagazin (January 1981): 2037. Ipperrealisti americani. NAC (Milan), no. (Catalogue). Portfolio: Chuck Close, Nudes. The Paris Review, no. (Catalogue), Seattle as Collector, Seattle Art Museum, May 11October 23, 2011. Art: Chuck Close overcomes problems and creates them. Seattle Weekly 22, no. Text by Hubert Beck and Gnter Engelhard. Chuck Close: Facebook. Chuck Close im Kunstbau des Lenbachhauses. die tageszeitung, 27 July 1994: 1213. Curating Now (Part II): An Ongoing, Informal Report. Art Papers (November/December 2005): 38, illustrated. New York: Farrar, Straus and Giroux, 2018: 132135, illustrated. Solve the riddles and challe Get ready to be silly, use your brain, and have a LOT of fun! All Equal on the Grid. The New York Post, 27 October 1979: 15. Bullock, Margaret E.and Rock Hushka. Works in Conversation With Photography (Guild Hall exhibition review). Art World, no. Reality, Abstract Converge: Close Art Begs a Closer Look. The San Diego Union, 18 June 1981: C1, C4. (Catalogue), A Nations Legacy: 150 Years of American Art from Ohio Collections, Columbus Museum of Art, Ohio, January 19March 15, 1992. Seeking to break from the gestural style that had characterised his student work, Close shifted toward Pop-inflected figuration before embracing the tools of commercial art and illustration. Art Guide. New York: The Museum of Modern Art, 1996. Forgey, Benjamin. Alloway, Lawrence. A One-Print Show by Chuck Close at MoMA. Arts Magazine 47, no. Frederich, Maryland: University Publications of America, Inc., 1982. Text by Pat Kettering and Ann Kent. AIDS Benefit exhibition: A Selection of Works on Paper, Daniel Weinberg Gallery, Los Angeles, November 930, 1985. Someone in your group uncovers her darkest s Its the 1600s in Salem, and a mysterious package has arrived at your doorstep. Among the locals it is knwon for awful secrets that noone wants to sp Krevokar was our 60 minute horror experience that is now retired, so if youve not played, this is your last opportunity! Me, Dru Arstark Gallery, New York, March 25May 6, 1995. Paris, Jeanne. Visit Website. Parks, Steve. Kennedy, Christina, ed. In 1988, Close was paralyzed following a rare case of spinal artery collapse. Munich: Prestel Verlag, 2010. Louisiana: The New Graphics Wing, Louisiana Museum, Humlebck, March 331, 1991. All for Art! A glorious, giant Ferris Wheel with an amazing view of downtown Minneapolis. New York: Sidney Janis Gallery, 1972. (Catalogue), American Masters 19401980, National Gallery of Australia, Canberra, August 24November 11, 2018. Self As Subject, Katonah Gallery, New York, January 24March 6, 1988. Mendelowitz's Guide to Drawing. New York: Rizzoli, 2012: illustrated. The Super-Realist Vision (exhibition catalogue). (Catalogue). Kent, Rachel. Chuck Close. Le visage dune personne, est comme la carte de sa vie (PaceWildenstein and Pace/MacGill exhibition review). Peterson, Oliver. Visit Website. Sprague, Tiffany, ed. Rollins, Tim. Chuck Close. Bijutsu Techo 40, no. Zurich: Kunsthaus Zurich and Hamburg: Deichtorhallen Hamburg, 1997: illustrated. Theories of Contemporary Art. Orlando.com, 6 November 2006. We think Suzy says it best when trying to explain what the heck is going on here: Psycho Suzys has been lighting up Nordeast Minneapolis with a passive-aggressive mixture of bad taste and good Minnesota hospitality. No amount of hilariously kitschy decor could overwhelm the power of a good meal. (Catalogue). Art: Chuck Close. New York 14, no. Large Bodies, Pace/MacGill Gallery, New York, June 29September 1, 1995. How Can You Tell A Franz Gertsch From A Chuck Close? Parkett, no. Three Realists: A Cold, Plastic World. Hartford Times, 10 March 1974: 51, 53. Rose, Bernice. Danto, Arthur C. Close Quarters. Elle Decor 4, no. Realist Space, C.W. Jeffri, Joan, ed. Probably one of the most popular of these is the conference app Zoom. America: Now and Here, Leedy Voulkos Art Center, Kansas City, Missouri, May 628, 2011. Davis, Douglas. Paperworks. American Craft 42, no. High Museum of Art: Selected Works from the Collection. Mortality Immortality? The Museum Season. The Wall Street Journal, 3 October 2003: W2, illustrated. Nick, Stacy. New York: Hugh Lauter Levin Associates, 1990: illustrated. New York: Harper & Row Publishers, Inc., 1988: illustrated. 6 (November/December 1981): 7281. The Boss needs a favor Gardner, Paul. Dead End Realism. New York 14, no. Transfiguration of a Masterpiece. Review, 28 March 1982: 1314. Pleins feux! Guequierre, Nathan. The Wall Street Journal, 6 May 2013. http://online.wsj.com/article/SB10001424127887324874204578439012328282372.html. (Catalogue). From Selfie to Self-Expression, Saatchi Gallery, London, March 31July 23, 2017. Public Art Project Documents Urban Change. USA Today, 13 September 2006: 7A, illustrated. Remote Escape Room is a great way to stay connected with your friend and have fun with your loved ones or strengthen your business relationships. Shock of the Real: Photorealism Revisited, Boca Raton Museum of Art, December 16, 2008March 11, 2009. Poughkeepsie, New York: Frances Lehman Loeb Art Center, Vassar College, 2013. Padon, Thomas. Villani, John. Little Rock: The Arkansas Arts Center, 1988: 81, 82, illustrated. The Pluralist Era: American Arts, 1968-1981. 825 (March 1996): 1317. Paris: dition Arola, 2018: 21, illustrated. This iconic spot in Dinkytown near the University of Minnesota is definitely one-of-a-kind; it was built into a former alleyway and is the. American Artist 47, no. In the United States, prohibition was a nationwide constitutional law that strictly prohibited the production, importation, transportation, and sale of alcoholic beverages from 1920 to 1933.. Prohibitionists first attempted to end the trade in alcoholic drinks during the 19th century. Rose, Barbara. Art Previews: New Ventures. Bazaar (September 1995): 31. Muffy's Basement is a speakeasy-style bar hidden in downtown Buffalo, Minnesota on Central Avenue. Roslyn Harbor, New York: Nassau County Museum of Art, 1991. Loring, John. 5429, 6 August 1999: 844846. Al's Breakfast, 413 14th Ave SE, Minneapolis, MN 55414, USA, Its hard to find a dish that is anything less than fantastic at George & The Dragon! Workshop Experiments: Clay, Paper, Fabric, Glass, Brattleboro Museum and Art Center, Vermont, October 18December 8, 1985. Chuck Close: Self-Portraits in Edition, Steven Vail Fine Arts Project Room, Des Moines, March 17July 8, 2011. Rosenblum, Naomi. The game master who is physically in the escape room will be your eyes and ears. Today, the hotel is still in operation, with rooms that have a distinct Old Hollywood feel to them. Chuck Close: Drawings 19741986 (exhibition catalogue). Christy, George. Practices of Looking: An Introduction to Visual Culture. Kutner, Janet. 70s into 80s: Printmaking Now (exhibition catalogue). Pogue, Dwight W. Printmaking Revolution: New Advancements in Technology, Safety, and Sustainability. Three Decades of American Art Selected by the Whitney Museum of American Art (exhibition catalogue). Introduction by Shamim M. Momin. Watercolors and Drawings-American Realists (exhibition catalogue). Bourdon, David. The Monopoly of Appearances. Flash Art (February/March 1987): 98100. PAPER + works on Dieu Donn paper, The Gallery at Dieu Donn Papermill, New York, April 18May 29, 1998. 4 (Summer 1969): 12. 1 (January 1980): 157. Portrait Paintings at the Parrish (exhibition review). Close, Chuck. Marandel, J. Patrice. The Illustrated Library of Art. Feldman, Melissa E. Face-Off: The Portrait in Recent Art (exhibition catalogue). After 50 years of speculation as to whether the moon landing really happened, you decide to travel back to 1969 A lone vampire hunter has been separated from their unit and now requires support to defeat the bloodsucker in charge. Text by Jean-Claude Lebensztejn. Varfor New York ? New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video (exhibition catalogue). Derfner, Phyllis. DeKay, Ormonde Jr. Portraits: The Hard Way Shikler, Grausman, Close. Art/World 4, no. Visual Deception II: Into the Future, The Bunkamura Museum of Art, Tokyo, August 9October 5, 2014. 6 (Summer 1991): 143144. (Catalogue), The Human Image in the Twentieth Century: Works from the Collection of the Tokushima Modern Art Museum, Hekinan City Tatsukichi Fujii Museum of Contemporary Art, Japan, June 8July 19, 2010. LIL CLOSE? 20th Century American Drawings: Five Years of Acquisitions (exhibition catalogue). Texts by Mikhail Piotrovsky, Dimitri Ozerkov and Diarmuid Costello. Pleasure, Pain & Protocol: Studio Visits. Art News 95, no. 57 (March 2015): 34. San Francisco Museum of Art, June 25September 19, 2010. The Daily Times Farmington, 13 July 2013, illustrated. Art Reviews: Chuck Close. Arts Magazine 54, no. These fun restaurants in Minneapolis were chosen both for their food (or drinks) and for the overall dining experience. (Catalogue). Gamwell, Lynn and Victoria Kogan. Johnson, Ken. Terre Haute, Indiana: Turman Gallery, Indiana State University, 1984: illustrated. An Interview with Chuck Close. Arts Magazine 52, no. Berenson, Ruth. 8, 23 February 1973: 34. (Catalogue), 50 Years Modern Color Photography, 19361986, Photokina, World's Fair of Imaging Systems, Cologne, September 39, 1986. 1 (January 1994): 9596. Text by Els Barents. Donker, Peter P. School of Realism Runs to (Top) Class at the Danforth. Sunday Telegram (Worcester), 25 May 1980: 20A, 22A. Minneapolis: Walker Art Center, 1980. Chuck Close Honored. East Hampton Star, 18 May 2000. London: National Gallery Company Limited, 2017: 178179, illustrated. The Ackland Art Museum, University of North Carolina, Chapel Hill, Albright-Knox Art Gallery, Buffalo, New York, Allen Memorial Art Museum, Oberlin College, Ohio. Chicago in Review. Arts Magazine 63 (May 1989): 115. A Seventies Selection: An Exhibition of Works from the Collection of The Whitney Museum of American Art (exhibition catalogue). Shulman, Leon. Santa Barbara, California: Sullivan-Goss, 2006: illustrated. 1 (January/February 1975): 3441. Text by Hank Hine and William Jeffett. Lausanne: Musee Cantonal des Beaux-Arts, 1985. Art: Chuck Close With Friends as Models. The New York Times, 4 March 1983. Die 100-Tage-Sehschule in Kassel. Zeit Magazin, no. Perreault, John. Kelly, Jeff. Chuck Close: Up Close (exhibition catalogue). 263 (November/December 2008): 62, illustrated. The Whitneys Generational Saga. Art in America 79, no. Scott, Whitney. 5 (January 1996): 8990. About Face: The Self-Portrait in Contemporary Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 31August 30, 2015. New York. Benezra, Neal. (Catalogue). London: Thames & Hudson, 2012: 5455. The Independent, 9 March 2013. http://www.independent.co.uk/arts-entertainment/art/reviews/charles-darwent-on-art-chuck-close-prints-process-and-collaboration-8527779.html, Exhibit Features Art Work by Roosevelt School Students (The Housatonic Museum of Art exhibition review). Riddle, Mason. Post-High and Low: New Exhibitions at the MOMA. Flash Art (March/April 1991): 154. Harris, Gareth. (Catalogue), Amerikanisher Fotorealismus: Wrttembergischer Kunstverein, Wrttembergischer Kunstverein, Stuttgart, November 16December 26, 1972. New York: Louis K. Meisel Gallery, 1975. New York: Sidney Janis Gallery, 1974: illustrated. Valentin, Beate. OPB, 15 October 2013. http://www.opb.org/artsandlife/article/see-it-up-close-chuck-closes-tapestries-prints/. SELF: Portraits of Artists in Their Absence, National Academy Museum, New York, January 29May 3, 2015. Text by Kathan Brown. Return to major publishers by decade.. 65: 000 Publisher Unknown: 1: 007 Magazine and Archive: 5: 01 Comics: 4: 10 Ton Press Exclusively play a unique experience - only available online - combining Conjure + Poltergeist! Reviews: Chuck Close. The New York Times, 26 April 1975: 20. Lista, Giovanni. Amaya, Mario. Chuck Close, Worcester Art Museum, Massachusetts, December 9, 2000March 25, 2001. Chuck Close: Radical Innovator, Contessa Gallery, Cleveland, November 8, 2013January 12, 2014. Tomorrowland. 7 Days 2, no. Bentonville, Arkansas: Crystal Bridges Museum of American Art, 2011: 12, illustrated. Sticking Close to Chuck New York Observer (1991): 27. Gallery View: The Artist Before the Camera. The New York Times, 15 February 1976. Arts and Ideas: Faces That Were Chosen for Eternity (exhibition review). Grundberg, Andy. Project Painting, Basilico Fine Arts and Lehmann Maupin, New York, September 11October 11, 1997. Traveled to: Lenbachhaus Kunstbau, Munich, July 13September 11, 1994. Image World: Art and Media Culture (exhibition catalogue). New Trends from the Gallery of World Photography Series. Los Angeles, California: Chronicle Chroma, 2021: 1011, illustrated. Drawing Now (exhibition catalogue). Text by Henry T. Hompkins. Painting Beyond Pollock. Miotke, Anne E. Close Dot Drawings. Mid-West Art 3, no. Kagan, Ellen. Dutton,1975: illustrated. Worcester, Massachusetts: Davis Publications, Inc., 2007: 570571, illustrated. Gebroe, Erin. Brommer, Gerald F. and George Horn. Artist Chuck Close is in top form. Mobile Register, 7 April 1996. Sheets, Hilarie M. UP NOW: Chuck Close. Art News (May 1998): 169. London: Harper Press, 2009: 244, illustrated. Victors for Art: Michigans Alumni Collectors (exhibition catalogue). Ewing, William E. The Body: Photographs of the Human Form. Claremont, California: Trustees of Pomona College, 1979: illustrated. Johnson, Kathryn C., ed. Germany: Kunsthalle Emden, 2010: 251, illustrated. Autoportraits Contemporains: Heres Looking at Me (exhibition catalogue). Texts by Arne Glimcher et al. Chewing Gum II, Pace Hong Kong, 15C Entertainment Building, 30 Queen's Road Central, February 10March 11, 2017. Chuck Close: Important Works on Paper from the Past Forty Years, John Berggruen Gallery, San Francisco, September 5November 16, 2013. Morgan, Robert C. Reviews: Logical Conclusions, PaceWildenstein, New York (exhibition review). Williamstown, Massachusetts: Sterling and Francine Clark Art Institute, 2013: 30, illustrated. Flam, Jack. Portraiture: The Living Art. Bazaar, no. Thank you for making Chowhound a vibrant and passionate community of food trailblazers for 25 years. Everingham, Carol. (Catalogue). European and American Paintings and Sculpture 1870-1970 in the Australian National Gallery. Master Paintings from the Butler Institute of American Art. A As the door pulsates, a vision erupts in your head: New York: The Museum of Modern Art, 1991. Greenwich: Bruce Museum, 2007: 3637, illustrated. As he ran by he ditched this briefcase in a nearby bush. Heyler, Joanne, Ed Schad and Chelsea Beck, ed. Foreword by Adam D. Weinberg. Glueck, Grace. 3 (March 1996): 106109. Brown, Kathan. The first will be eyes rolled up to the heavens, as many employees dread team building activities as much as they would going to the dentist. Beuys will be Beuys, Beckmann is Beckmann. The Village Voice, 28 April 1975: 9899, 102. Traveled to: deCordova Museum and Sculpture Park, Lincoln, Massachusetts, May 28July 31, 1988. Perreault, John. Close Encounters (Eykyn Maclean exhibition preview). Milan: Alberico Cetti Serbelloni editore, 2002. Ink, Paper, Metal, Wood. New York: Columbia University and Westport, Connecticut: Greenwood Press, 1993. Hyperralistes Amricains. LHumanit (Paris), 16 January 1973. Performance and Modernity: Enacting Change on the Globalizing Stage. Rimanelli, David. Traveled to: The Art Center, Inc., South Bend, Indiana, November 22, 1981January 3, 1982; Springfield Art Museum, Missouri, January 16February 28, 1982; Dartmouth College Museum and Galleries, Hanover, New Hampshire, March 19May 2, 1982; deCordova Museum and Sculpture Park, Lincoln, Massachusetts, May 9June 20, 1982; Des Moines Art Center, Des Moines, Iowa, July 6August 15, 1982. Rose, Bernice, ed. (Catalogue). 4 (February 1970): 5455. Rome: Romana Libri Alfabeto, 1974. Kinsella, Eileen. This town is not known to be a tourist destination and its motel is shady at best. Vincent, Steven. Lynch, Kevin. New York: Columbia University, 1976. Ed Ruscha, Chuck Close, Andy Warhol to be Featured on Billboards. The Wall Street Journal, 29 July 2014. http://blogs.wsj.com/speakeasy/2014/07/29/ed-ruscha-chuck-close-andy-warhol-to-be-featured-on-billboards/, Chuck Close at the MCA: The Mind Behind the Big Heads. The Guardian, 28 November 2014. http://www.theguardian.com/discover-culture/2014/nov/28/chuck-close-at-the-mca-the-mind-behind-the-big-heads. Still Life and Kicking, Paula Cooper Gallery, New York, May 10June 8, 2007. Russell, John. Chuck Closes Uneasy, Inevitable Legacy. The New York Times, 20 August 2021: C1. The Painstaking Process of Chuck Close (White Cube exhibition review). Worth, Alexi. Baigell, Matthew. 1962, University of Washington, Seattle, B.A. Ebony, David. Fun game room addition. Amerikanische Postionen. Handelsblatt, 2930 April 1994. Chuck Close: A Personal Portrait, Works and Papers, Archives of American Art, Smithsonian Institution, New York, October 8, 1996January 6, 1997. Chicago: Museum of Contemporary Art, 1977. The Photographer and the Artist (exhibition catalogue). How Psychedelic Consciousness Transformed Modern Art. Drawn From the Artists Collections (exhibition catalogue). Little Rick, Arkansas: The University of Arkansas at Little Rock, Department of Art Galleries, 1986. The Hand Was Collossal But Small. The Village Voice, 23 March 1972: 72. Ronte, Dieter et al. Last Salon: Biannual Exhibition at New York's Whitney Museum. Arts (June 1974): 2529. The Lucinda Bunnen Collection of Photographs (exhibition catalogue). Amerikaans Fotorealisme/Grafiek (exhibition catalogue). Pakesch, Peter, ed. Meisel, Susan Pear. Close, Chuck. Figuratively Speaking: A Survey of the Human Form, Bellagio Gallery of Fine Art, Las Vegas, May 1, 2010March 27, 2011. Paris: Galeries nationales du Grand Palais, 2015: 4047, illustrated. Luke, Ben. 6 (February 1992): 7880. ARS 74 (exhibition catalogue). Into the New: Being Human from Pollock to Bourgeois, Stdel Museum, Frankfurt, April 6July 17, 2022. 4 (April 1996): 3940. 100 Eye-Opening New Painters. Courierlife.net, 29 November 2006. http://www.courierlife.net/site/. Utrecht: Hedenaaglse Kunst, 1974: illustrated. (Catalogue). Chuck Close (exhibition catalogue). The Contingent Object of Contemporary Art. Surveying the Seventies: Selections from the Permanent Collection of the Whitney Museum of American Art (exhibition catalogue). Kipphoff, Petra. Fox, Catherine. In Portraits on a Grand Scale, Chuck Close Moves On (The Pace Gallery exhibition review). This Is Not a Photograph: Twenty Years of Large-Scale Photography 1966-1986 (exhibition catalogue). 4th edition. Around Town: Close Encounter. Time Out New York, 1420 September 2006: 104, illustrated. I Ritratti di Chuck Close. Aste & Mercati (October 1991). Under Pressure: Prints from Two Palms (exhibition catalogue). The Human Figure in Contemporary American Art (exhibition catalogue). Anfam, David. Field, Richard S. Recent American Etching (exhibition catalogue). Traveled to: The Art Institute of Chicago, September 16November 26, 1989; Los Angeles County Museum of Art, December 21, 1989February 25, 1990. Chuck Close: Dot Drawings 197375, Laguna Gloria Art Museum, Austin, June 17July 20, 1975. Betty Danger's Country Club, 2501 Marshall St NE, Minneapolis, MN 55418, USA. Neue Formen des Realismus. Magazin Kunst, no. (Catalogue), Point, Philadelphia College of Art, November 2December 15, 1978. Boerner, New York, September 7October 6, 2006. Visit Website. Close Encounters. Art + Auction 18, no. Cavaliere, Barbara. Varnedoe, Kirk R. ed. Close, Chuck. Chuck Close: Janet/Pulp, 2007 Print & Process, Pace Prints, New York, November 29, 2007January 5, 2008. Galactic Pizza, 2917 Lyndale Ave S, Minneapolis, MN 55408, USA, This list wouldnt be complete without including. Smith, Roberta. (Catalogue), The Face, Arkansas Arts Center, Little Rock, December 1, 1988January 6, 1989. Saggy Nudes? MONOCHROME/POLYCHROME: Contemporary Realist Drawings (exhibition catalogue). Art Now: From Abstract Expressionism to Superrealism. Point (exhibition catalogue). Northampton: Belmont Press and London: Arts Council of Great Britain, 1981: illustrated. Youre Looking at Me. The Monumental Image (exhibition catalogue). Interview by Chase, Linda and Ted McBurnett. 10 (Summer 1991): 98101. Sol LeWitt: 100 Views (exhibition catalogue). Facts and Figures: Selections from the Lannan Foundation Collection, Lannan Foundation, Los Angeles, October 22, 1995February 26, 1996. Wasserman, Emily. 1: First Works by 362 Artists. Homo Sapiens: The Many Images, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 1982. Flashback Photography: Modern Eyes, Vintage Ways (University of Central Florida Art Gallery exhibition review). Text by R. Abrahams and others. Art Cash: Money in Print. Westerbeck, Colin. Chuck Close and his Turnaround Arts Kids, Housatonic Museum of Art, Bridgeport, Connecticut, November 7December 15, 2013. Press, Inc., 1996: illustrated. An Incomplete World: Works from The UBS Art Collection, Art Gallery of New South Wales, Sydney, May 19July 29, 2007. The New York Times, 29 May 2015: C21, illustrated. London: National Portrait Gallery Publications, 2005: 202207, illustrated. New York: Abbeville Press, 1986: illustrated. Smith, Paul. Modern Art and Modern Science: The Parallel Analysis of Vision. Theories and Documents of Contemporary Art. Kozinn, Allan. New York: A.R.T. American Portraits: Treasures from the Parrish Art Museum, Parrish Art Museum, Southampton, New York October 16November 27, 2011. Klischee und Antiklischee, Neue Galerie, Aachen, West Germany, 1970. Schau Mich An! Vasari Diary: Close to Bill. Art News 9 (January 1997): 29. The Pace Gallery at Asher/Faure. A New Installation of Photography from the Collection and Recent Acquisitions, Museum of Modern Art, New York, February 3, 1993. Realism: The New Hip? Art News 96, no. 490 (May 1983): 6267, 102105. Canton, Katia. Third edition. Preview Winter/Spring 98: Chuck Close. Artforum (January 1998): 29. Califorever. St. Petersburg, Florida: Salvador Dal Museum, 2006: 75, illustrated. (Catalogue), Departures: Photography 19231990 (organized by Independent Curators Incorporated, New York), Iris & B. Gerald Cantor Art Gallery, College of Holy Cross, Worcester, Massachusetts, September 12October 20, 1991. Chuck Close Photographs, Parrish Art Museum, Southampton, New York, May 10July 26, 2015. Rockmore, Dan. The Great Life. Hollywood Reporter, 5 October 1995: 23. Boom: Mad Money, Mega Dealers, and the Rise of Contemporary Art. 255 (March 2014): illustrated. Ammann, Jean Christophe. Chuck Close: Dot Drawings 1973 to 1975 (exhibition catalogue). New York: Thames and Hudson, 1995. Prints, Multiples, Monotypes, Works on Paper (exhibition catalogue). Solve the puzzles to uncover the unholy happenings in your town before After three years of non-stop investigation into a series of murders by a serial killer, the situation has reached a breaking point. Die Sammlung Ernst Ploil - Eine Auswahl. (Catalogue), 1991 Biennial Exhibition, Whitney Museum of American Art, New York, April 2June 30, 1991. Shiff, Richard. Art in Review:Me The New York Times, 28 April 1995: C34. (Catalogue), Subjective Vision: The Lucinda Bunnen Collection of Photographs, High Museum of Art, Atlanta, 1983. Throughout his childhood and adolescence, Close used art as a means of navigating a learning disability. (Catalogue), A View of the Decade, Museum of Contemporary Art, Chicago, September 10November 10, 1977. Photographer Chuck Close gives good face in Loveland exhibit (exhibition review). Superrealism: The Critical Anthology. Artforum 24, no. Its hard to beat breakfast served all day, and nobody does breakfast better than a good old-fashioned diner. 190 (March 1995): 1011. (Catalogue), Portrait Painting 1970-1975: A Survey of Informal Portraiture in the USA, Allan Frumkin Gallery, New York, 1975. Guild Hall of East Hampton: An Adventure in the Arts, the First 60 Years. 3rd ed. Savoring Chuck Close By Savoring The Process (Metropolitan Museum of Art exhibition review). New York: St. Martin's Press, 1977: illustrated. Traveled to: Domus Artium 2002 (DA2), Salamanca, June 10July 31 2004; Kiosco Alfonso, A Coruna, September 2October 2, 2004; Queensborough Community College, Queens, New York, October 24January 15, 2005. 4 (April 2013): 2627, illustrated. White Cube (exhibition review). Art Listings: Close encounters (exhibition review). Text by Valerie Ann Leeds. Cummings. Text by John H. Bauer. Photorealists, Exhibit A Gallery, Savannah College of Art and Design, Georgia, October 2November 25, 1997. Larson, Kay. Baker, Kenneth. Anzelowitz-Tanner, Lois. Chuck Close: Paperworks, Richard Gray Gallery, Chicago, SeptemberOctober 1982. Artist and the Face; A Modern American Sampling. Art in America 63, no. Cleveland and Kln: Museum of Contemporary Art Cleveland; Verlag der Buchhandlung Walther Knig, 2017: 70, illustrated. On the Art of Fixing a Shadow: One Hundred and Fifty Years of Photography (exhibition catalogue). Lindemann, Adam. Fortenberry, Diane and Rebecca Morrill ed. Farr, Sheila. Chuck Close ganha mostra em Chicago. Folha de Sao Paulo, 3 July 1998: 5. Printed Art: A View of Two Decades (exhibition catalogue). Color This Painter Determined. Close, Chuck. Traveled to: Museum of Contemporary Art Chicago, June 20September 13, 1998; Hirshhorn Museum and Sculpture Garden, Washington, D.C., October 15, 1998January 10, 1999; Seattle Art Museum, February 18, 1999May 9, 1999; Hayward Gallery, London, July 22September 19, 1999. Traveled to: Schneider Museum of Art, Southern Oregon University, June 19September 5, 2015. Haendle, Rainer. (Catalogue) Three Decades of American Art Selected by the Whitney Museum of American Art, Seibu Museum of Art, Tokyo, June 18July 20, 1976. Hartman, Darrell. Rose, Matthew. Chuck Close: Retrospektive, Staatliche Kunsthalle, Baden-Baden, April 10June 22, 1994. Buck, Joan Juliet. The Polaroid Years: Instant Photography and Experimentation (exhibition catalogue). Chuck Close. Kunstforum International (Germany) 127 (JulySeptember 1994): 328329. Chuck Close, Art Institute of Boston, Lesley University, Boston, November 8December 18, 1991. (Catalogue), Aspects of Realism/Aspects du Realisme, Gallery Stratford, Ontario, June 8September 5, 1976. (Catalogue). (Catalogue), The Human Image in the Twentieth Century: Works from the Collection of the Tokushima Modern Art Museum, Gunma Museum of Art, Tatebayashi, Japan, April 19June 15, 2008. New Etchings, Pace Editions, New York, February 21March 22, 1986. Le choc des Ralismes. XX Sicle, no. Kramer, Hilton. Chang, Richard. Vienna: Springer-Verlag, 2001. Lewis, Jo Ann. Chuck Close/Matrix 35 (exhibition catalogue). New York: Abbeville Press, 1984: illustrated. Chuck Close: Fingerprint Paintings and Drawings, 197886 (exhibition catalogue). Can you solve the clues and use them in in a new u Can you feel the fever?! Schneider Adams, Laurie. Polaroid Now: The History and Future of Polaroid Photography. The Adamson Connection. Digital Fine Art (Winter 1999): 2231. Art: Miro's Joy and Verve/Chuck Close. The New York Times, 27 October 1973: 27. London: Thames and Hudson Ltd., 2006: 302. When you select your local bookstore on the map above and visit their Bookshop page, we place a cookie in your browser that identifies you as that store's customer, and the store will get the full profit from all your Bookshop purchases (30% of the book's list price). Triple Diamond is a sequel of Double Diamond slot, which features 9 paylines with a max coin Multi-Cultural. Use only your web browser to step into the chosen escape room where the Game master awaits your command. Habit-Forming Close-ups; Playpen-Style Post-structuralism. The New York Observer, 22 November 1993: 24. Kansai Collections (exhibition catalogue). 4. Architectural Digest, 23 January 2017. http://www.architecturaldigest.com/story/what-does-chuck-close-have-against-public-art. Ottino, Julio Mario. The Artist as Subject: Paul Cadmus, Midtown Payson Galleries, New York, February 4March 6, 1993. Arte Al Lmite: 10 Year of Trayectory. Zeitgenossicscher Maler in Baden-Baden. Pharmazeutische Zeitung (Germany), 10 March 1994. 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